INFORMATION FOR
A celebration of the career of Professor Emeritus John Link, showcasing his recent compositions, in honor of his nearly 30 years of service on the music faculty of William Paterson University. Featuring Nina Berman, soprano; Marianne Gythfeldt, clarinet; Caroline Stinson, cello; Augustus Arnone, piano; and Carl Patrick Bolleia, piano
Free admission and open to the public.
The Royal Irish Academy of Music Percussion Ensemble, directed by Richard O'Donnell, returns to the WP New Music Series with an eclectic and dynamic program of contemporary compositions!
Presenting compositions of the 20th and 21st Century, including original works by WP students and faculty. Directed by Dr. Carl Patrick Bolleia and conducted by John Ferrari
An Evening with Roger McGuinn is a love for folk music – the music that took him to the Rock and Roll Hall of Fame. Mr. Tambourine Man not only lived history, he made history with his fearless sense of experimentation. As the leader of the influential 60s group, The Byrds, he was on the leading edge, combining the rock beat of the Beatles with the folk sensibilities of Bob Dylan, to create the genre known as “folk-rock.” His groundbreaking work on The Byrds “Sweetheart Of The Rodeo” album, is widely credited with ushering in the genre of country rock. Roger’s solo career began in 1973 and has yielded 13 albums, a Grammy nomination, and extensive touring and performing for enthralled audiences ever since.
Jim McGuinn (he changed his name later to Roger) began playing professionally at the age of 17. He was first recognized around the industry for his banjo and guitar playing ability. He began touring with the Chad Mitchell Trio which eventually led to his touring gig with Bobby Darin. When Bobby decided to take a break from performing live, he invited Jim to join him in New York city to work at the famed Brill Building as a songwriter for TM Music. It was there that he became Judy Collins’ musical director, helped Paul Simon record the demo for “Sound of Silence” and was very active in the recording business as the “go to” guy for 12-string guitar.
It was at this time that Roger became fascinated with “rocked up” folk music made popular by The Beatles.
The folk audience didn’t appreciate the combination of folk songs and a Beatle Beat but there was one musician that did. His name was Gene Clark. It was the beginning of a musical revolution. David Crosby, Chris Hillman and Michael Clarke joined the duo and history was about to be made. The Byrds were born!
Their first single was penned by Bob Dylan but when the group heard the demo, they weren’t too impressed. Jim had an idea on how to fix the folkie song. He had been an arranger in NYC, so adding a Bach type intro and a Beatle Beat took the song “Mr Tambourine Man” to the number one slot across the world.
Roger disbanded the BYRDS in 1973 to pursue his dream of being a folk singer like Pete Seeger. He says that the BYRDS were a nice detour on his way to his dream. He recorded five solo albums on Columbia Records. In 1978 he joined with Gene Clark and Chris Hillman for 3 albums on Capitol Records. In 1991 just after the BYRDS were inducted to the Rock and Roll Hall of Fame, he recorded on Arista Records his acclaimed “Back From Rio” album with a host of friends, including Tom Petty, Elvis Costello , David Crosby, Chris Hillman and others. It was the last vinyl record in his catalogue.
In 1995 Roger became concerned the traditional folk songs were being lost. No one was recording the songs of over one hundred years ago, so he had an idea. He decided to post an original folk song with a live recording on his web page mcguinn.com each month. He hasn’t missed a month since November 1995. It is carried by the University of North Carolina at Chapel Hill as a public service.
Appleseed Records invited Roger to record some of his favorite folk songs with the vanguards of folk music: Pete Seeger, Joan Baez, Judy Collins, Jean Ritche, Josh White Jr and his guitar teacher Frank Hamilton and his wife Mary. The recording “Treasure From the Folk Den” received a Grammy nomination in 2002. He continues to record and release music on his independent label. When asked if he plans on retiring, he laughs, “What? Give up show-business? It’s called “playing music” and I’ve been playing since I was 14.
Tickets: Gold Circle $59Orchestra/Front Loge $49Rear Loge/Accessible Seating $39
